Date
Fri May 29, 2009
The Others Raisd in Me
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Ten Questions with Fraser Sutherland
Submitted by ashleypearson on February 4, 2010 - 12:26pm
The Philosophy of As If, by Fraser Sutherland, concerns "fictions," ideas that may not correspond directly with reality but help us to interact with reality better. Fiction writers often say that they tell a higher truth, but poets like to pretend that what they write is sincere, direct truth-telling. However poems are also fictions, and deal with what might be. Poets behave "as if" the world matches their models. Fraser Sutherland's poems play on this tension between desire and disillusion, between actuality and fantasy. The real yields what might be: the actual becomes the imaginary. In this book, the poet's motto is: "I would like a different mind, a different body, a different life. Is that too much to ask?" The book fleshes out this wish in two sections, "Beggars Would Ride" and "If Wishes Were Horses." The third, "And All Shall Be Redeemed," deals with the ultimate fiction: images and consequences of the afterlife. Fraser Sutherland will be signing copies of the book at upcoming OLA Superconference and Expo at the Metro Toronto Convention Centre, February 26th. See our events page for details. Open Book: Toronto:Tell us about your latest book, The Philosophy of As If. Fraser Sutherland:The self-composed epigraph for this collection of poems is: ”I would like a different mind, a different body, a different life. Is that too much to ask?” It’s a rhetorical question, but nonetheless I try to provide multiple answers. Call them fictions to live by. OBT:Did you have a specific readership in mind when you wrote your book? FS:People with open minds. But that’s not very specific, is it? OBT:Describe your ideal writing environment. FS:This subject could be a poem in my book. Basically a clean page or screen, and a minimum of distractions. Or, put another way, no Burmese cat strolling across my keyboard. OBT:What was your first publication? FS:On the documentary evidence, an editorial in the West Pictou Echo, a high school magazine, Dec. 17, 1964. A sanctimonious Christmas message. OBT:Who are your influences? FS:How well I slept, what I had for breakfast. A life lived. Oh, literary influences? Too many to list. Oh, Canadian poet influences? Let’s say Irving Layton and Al Purdy. OBT:If you had to choose three books as a “Welcome to Canada” gift, what would those books be? FS:Though they may seem irrelevant to the kind of urban life newcomers are liable to lead, these two nonfiction books and a short novel in translation. They point to certain mythic realities of the country. I’m tempted to add the Criminal Code of Canada, but for newcomers that might be too scary: Maria Chapdelaine, by Louis Hémon, translated from the French by W. H. Blake, illustrated by Thoreau McDonald OBT:What are you reading right now? FS:Sandro of Chegem, by Fazil Iskander, translated from the Russian by Susan Brownsberger. OBT:What’s the best advice you’ve ever received as a writer? FS:I don’t think I’ve ever gotten good advice as a writer, let alone best advice. Well, perhaps, “See what the poem looks like after you’ve cut the last line.” OBT:What advice do you have for writers who are trying to get published? FS:One piece of standard advice is: Read, read, read. I agree. Read so you know whether you’re able or willing to join the people you read. Ultimately, writing is not about creativity, self-expression, or doing justice to something. Writing is about poetry and prose. OBT:What is your next project? FS:I don’t know. Something will come along.
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